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Beastie Boys - Licensed To Ill album flac

Performer: Beastie Boys
Genre: Hip hop & Rap / Rock
Title: Licensed To Ill
Released: 1986
Style: Pop Rap
FLAC version ZIP size: 1906 mb
MP3 version ZIP size: 1918 mb
WMA version ZIP size: 1122 mb
Rating: 4.4
Votes: 751

Формируйте собственную коллекцию записей Beastie Boys. Licensed To Ill (Licenciados Para Enfermar) ‎(Cass, Album). Beastie Boys ビースティ・ボーイズ. Beastie Boys ビースティ・ボーイズ - Licensed To Ill ライセンスト・トゥ・イル ‎(LP, Album, bla).

Licensed to Ill is the debut studio album by American hip hop group Beastie Boys. It was released on November 15, 1986 by Def Jam and Columbia Records, and became the first rap LP to top the Billboard album chart. It is one of Columbia Records' fastest-selling debut records to date and was certified Diamond by the Recording Industry Association of America in 2015 for shipping over ten million copies in the United States.

Licensed to Ill. Beastie Boys. Released November 15, 1986. Licensed to Ill Tracklist. 1. Rhymin & Stealin Lyrics. Although they had been making records since 1981, License to Ill represents the Boys’ debut full-length album. It was released on . 1986 by Def Jam Recordings, a division of CBS/Columbia Records. It was co-produced by Rick Rubin & Beastie Boys, engineered by Steve Ett, and mastered by Howie Weinberg. A worldwide smash, LTI sold over 10 million copies in the United States, alone. Licensed to Ill Q&A.

The group’s influence on Eminem should be obvious to any listener, and the rapper spoke to Rolling Stone about it in 2013. Obviously, yes, there was something about ‘Licensed to Ill’ - you had the Zeppelin samples and their vibe.

Авторы текста и музыки. Rick Rubin, Adam Yauch, Michael Diamond, Adam Horovitz. UMG (от лица компании "Def Jam Recordings"); UMPI, CMRRA, UBEM, Sony ATV Publishing, LatinAutor, ASCAP, UMPG Publishing, LatinAutor - UMPG" и другие авторские общества (5). Композиция. UMG (от лица компании "Def Jam Recordings"); UMPI, UBEM, ASCAP, Sony ATV Publishing, LatinAutor - UMPG, UMPG Publishing, LatinAutor, CMRRA" и другие авторские общества (7).

Then came Licensed To Ill. The album’s title was a pun based on a 1965 imitation James Bond film, Licensed To Kill. Strangely, the album pre-dated a real James Bond movie entitled Licence To Kill by three years. Was it art imitating art imitating art? The album’s gatefold artwork was famously done by collage artist World B Omes and depicted an airplane crashing into the side of a cliff. Run-DMC were the template for Beastie Boys in so many ways: the loud drums and the shouted vocal delivery where bandmates would complete each other’s lines. And then, of course there’s the fact that Run-DMC actually wrote pieces of Licensed To Ill, including ‘Slow And Low’, which they originally recorded (with Rubin producing) as a demo that never made it onto their own albums. The first four lines of ‘Paul Revere’ were concocted by Run (Joe Simmons) for Beasties to use.

Exclusive discount for Prime members. Sample this album Artist (Sample). To me though, this is their "Born In The USA" album: it's their biggest seller and the one album even non-Beastie fans are likely to have, but it owes its success to the fact that it's also the most watered down and genericized Beastie Boys. While some of the songs truly are interesting and fun to listen to (I particularly like "Girls"), the sound and feel on this cd is ICE cold.

When the Beastie Boys released Licensed To Ill in the fall of 1986, it was as if they ripped a pin from a grenade and threw it into the centre of the music industry. artists - from Beastie Boys contemporaries to bands that weren’t even born when the album came out. Here, we’ve gathered a bunch of those friends, fans and collaborators together to discuss what made that first LP so special, their personal memories with the record and why each song will stand the test of time.

The Beastie Boys‘ first album should bear a prominent label, not to protect impressionable teens so much as their elders. warning: certain scenes and references contained herein may seem offensive, even dangerous, until you realize that it’s all a colossal joke. We drink and rob and rhyme and pillage, goes Rhymin & Stealin, the lead cut, and that could also serve as the Beastie Credo. Licensed to Ill cuts an even wider swath musically than Raising Hell, and it’s the brash assurance of Rubin’s stealin that ultimately makes these white boys more than a sophomoric joke. She’s Crafty, No Sleep Till Brooklyn and The New Style are all squealing examples of Rubin’s signature metal-beat-box fusion, but even the kookiest mutations sound great here.